Transgender toilets cartoon – XX chromosomes and XY chromosomes
A cartoon about the use of women’s toilets by transgender women.
The cartoon illustrates the issue that if transgender women are allowed to use women-only spaces, such as women’s toilets, refuges etc, there will be non spaces that are exclusively for biological women. Biological women are people who have two X chromosomes, while biological men have an X and a Y chromosome.
Drawn: 17th January 2023
Cartoon reference number: a942
Art gallery self-censorship
A cartoon showing an art gallery removing ‘inappropriate’ art from its displays.
The cartoon comments on the way that in recent years art galleries have started to display works on an ever decreasing number of subjects and by an increasingly narrow range of types of artist (although in the past there were definitely too many works created by other types of artist).
The currently preferred themes for works are those associated with the social justice, or woke, movement – predominantly race, slavery, gender and sexuality.
The cartoon depicts the way in which artworks that are interpreted as going against the ethos of the social justice movement are being removed from galleries.
Drawn: 1st October 2020
Cartoon reference number: a932
A cartoon about women’s toilets and trans women
Women’s toilets cartoon.
A cartoon about women’s toilets
A cartoon showing women in a women’s toilet in which one of the toilet seats is up. The caption is “Damn – this one’s been used by a woman with a penis!”
This is a contemporary take on the old complaint by women about men leaving toilet seats up. The joke is that this may now be a complaint about some trans women. By the way, there are some good arguments for men leaving the toilet seat up, but maybe I’ll leave that for another day.
A cartoon about women’s spaces, safe spaces, trans women, women with penises, women’s toilets, trans toilets.
Drawn: June 2024
Cartoon reference number: a961
Dr Seuss racism allegation
A cartoon about the news that several Dr Seuss books are to be withdrawn due to claims of racism.
Dr Seuss Enterprises has decided that it will cease publication of six Dr Seuss books in order “to ensure Dr Seuss Enterprises’ catalog represents and supports all communities and families”.
A 2019 study, The Cat is Out of the Bag: Orientalism, Anti-Blackness, and White Supremacy in Dr. Seuss’s Children’s Books, stated that “white supremacy is seen through the centring of whiteness and white characters, who comprise 98 per cent of all characters”.
Drawn: March2 2021
Cartoon reference number: a906
Only watched the news once a day – cartoon
Only watch the news once a day cartoon
A cartoon from a series featuring a life coach and lifestyle advisor called Mrs Walton.
In the cartoon she is advising someone that they shouldn’t follow the news all day long.
Limiting how much time you spend following the news can be seen as a good thing partly because obsessively keeping up with every change in events is ultimately a waste of time which stops you doing other things and partly because the news is so depressing.
Drawn: 2012
Cartoon reference number: a905
Physical activity v. mental activity
Well-read mind cartoon
A cartoon from a series featuring a life coach and lifestyle advisor called Mrs Walton.
In the cartoon she is cautioning someone that “A well-read mind is a sign of a lazy body.”
The cartoon is partly about the cultural divide between physical and mental activity, and the various attitudes of superiority that are generated by both.
Drawn: 2012
Cartoon reference number: a904
Commercial branding and political activism
Branding cartoon
This cartoon was drawn at a time when political and social causes were in decline and individualism and consumerism were on the ascendant. It shows a teenage girl (who is very concerned about fashion and branding) asking her mother (who in her youth was a social activist) which brand the CND logo represents, as the girl doesn’t recognise it as the symbol of a campaign group.
Now (2021) there is a resurgence in social and political activism, however some of the campaigns are deliberately adopted by commercial organisations to boost their profile in the social concern stakes. A typical example is the commercialisation of Gay Pride.
Drawn: 2003
Cartoon reference number: env0027a
Critical Race Theory cartoon – crt applied to a snowman
Critical Race Theory cartoon.
Critical Race Theory (CRT) applied to a snowman.
A person is asking why the snowman is white. One of the points of the cartoon is that once a social theory has been formulated (any theory, not just crt) it is often used to interpret matters to which it does not apply.
Drawn: December 2020
Cartoon reference number: a886
Chess cartoon. Each side playing with a mixture of black and white chess pieces
A cartoon about chess in which the black and white chess pieces are mixed.
In the layout of the chess board depicted the black and white chess pieces don’t occupy opposite ends of the board, but are mixed equally at each end.
The mixing of the black and white chess pieces symbolises the mixing of different types of people (not necessarily linked to race) rather than the polarising effect of each colour of piece congregating at one end.
As a result of the mixing of the pieces, with each ‘side’ in the chess game being made up of the two colours, it’s impossible for the two sides to engage in ‘battle’.
Drawn: December 2020
Cartoon reference number: a881
Coronavirus cartoon. Covid 19 mask with snorkel.
Coronavirus cartoon. Covid 19 mask – using a snorkel.
A person using a snorkel to breathe air that’s hopefully free of the Covid 19 virus.
A cartoon about coronavirus face masks and social distancing.
Drawn: September 2020
Cartoon reference number: a855b
Covid cartoon – the ‘Rule of Six’ social distancing
The UK government has stated that people must not congregate in groups larger than six – the ‘rule of six’.
In an attempt to stop the cover-19 virus spreading more due to lax adherence to social distancing rules the UK government has introduced a new rule to prevent large groups of people meeting up.
The cartoon depicts the characters from the famous Hollywood Western film the Magnificent Seven adhering to the new rule.
Drawn: 10th September 2020
Cartoon reference number: a844
Ethnic diversity cartoon
Diversity and inclusion cartoon.
The cartoon shows a lecture about the desirability of ethnic diversity. Almost the whole audience is white.
The inspiration for this cartoon came from the phrase that performers at some events use when describing the audience as ‘a sea of white faces’.
Of course the audience at some events may be predominantly white because that reflects the ethnic mix of the locality or because of the differing interests of different ethnic and cultural groups, however sometimes it is a result of issues around discrimination concerning opportunities and access, as is implied in this cartoon.
A cartoon about race, racism, bame issues, discrimination, unconscious discrimination, cultural discrimination, racial bias.
Drawn: 8th Sept 2020
Cartoon reference number: a843
Cartoon – what art is offensive?
To what extent should art galleries reflect contemporary concerns?
A cartoon about changing the exhibits in art galleries and museums to reflect contemporary society and to avoid offence.
It’s quite common in art galleries that exhibit contemporary art for the art to reflect contemporary concerns (or at least the contemporary concerns that concern the art world).
This cartoon shows a historical artwork being judged by contemporary mores (or rather, the mores of a particular sector of society that embraces ‘woke’ values).
Drawn: August 2020
Cartoon reference number: a841
Code switching cartoon
Code switching cartoon.
A cartoon about the concept of code switching.
Code switching in its current definition is the phenomenon of a person changing their behaviour in order to fit in with other people. It’s often used when people of a minority culture alter their behaviour in order to fit in with a majority culture.
Code switching is often interpreted as something that people shouldn’t really have to do, as it stops them being themselves.
This cartoon illustrates an example of when code switching would be a very good thing.
Code switching is in many ways a rebranding of the normal social activity of modifying one’s behaviour in different social settings. It is currently viewed by some people as a bad thing partly because of the current philosophy that you should “be yourself”.
Drawn: August 2020
Cartoon reference number: a837
Code switching cartoon – from working class to a class at Oxbridge
Code switching cartoon.
A cartoon about the concept of code switching.
The current usage of the term code switching refers to the action of people changing their behaviour when they are in different cultural settings, usually in order to blend in. In this sense it is most often used with reference to ethnic minority people who are interacting in predominantly white social groups.
The cartoon illustrates a relatively less well remarked upon example of code switching, which is when white working class people need to blend in with white people from higher social classes, here exemplified by the universities of Oxford and Cambridge. In education the working classes tend to have lower attainment levels than other classes as a result of social discrimination.
Drawn: August 2020
Cartoon reference number: a836
You can be whoever you want to be – cartoon
A flaw in the aspirational concept of “You can be whoever you want to be”.
The cartoon illustrates a problem with the currently popular encouragement to schoolchildren that when they grow up they can be whoever they want to be.
The aspirational, motivational expression makes the assumption that everyone will strive for a worthy goal. I don’t think this is necessarily the case.
In fact the concept gives people license to aim towards whatever they desire, which wouldn’t be a good thing.
Drawn: August 2020
Cartoon reference number: a835
The shifting definition of ‘white supremacy’ – cartoon
A cartoon about the changing definition of ‘white supremacy’
In recent months I’ve noticed what I think is a migration in the meaning of the term ‘white supremacy’.
To me the term has always implied the conscious policy of domination by white people over other people and the implicit superiority of white people over other people.
Under this definition a white supremacist would typically be depicted as a fascist or a member of the KKK, as in the cartoon.
Recently I’ve noticed several commentators on race issues stating that the western world is a ‘white supremacist society’. This society is indeed white dominated, but that doesn’t make it supremacist in the KK/fascist sense.
I think that a danger of using the term to describe contemporary society is that it can be interpreted as labelling all white people as conscious co-conspirators in the oppression of ethnic minority people, thus potentially making all white people ‘enemies’. I believe that quite a few would rather be described as allies.
Drawn: August 2020
Cartoon reference number: a842b
The blame game – cartoon
The blame game – cartoon.
A cartoon showing a protester with a banner proclaiming “I blame you”.
The cartoon is about people who need to place the blame for things on other people rather than on circumstances. This includes blaming people for their attitudes rather than analysing the circumstances that make people hold those attitudes.
A cartoon about protestors, political demonstrations, guilt.
Drawn: August 2020
Cartoon reference number: a830b
Conspiracy theory cartoon
Conspiracy theory cartoon – sign of the times.
A road sign with multiple roads leading to conspiracy theories.
One road leads to truth, but the road is closed.
The cartoon is about the current proliferation of (and acceptance of) conspiracy theories, as we now seem to live in a post-truth fake news world.
The climate of conspiracy theories is a sign of the times, hence the sign and the title of the cartoon, Sign of the Times.
Cartoon drawn: 30th July 2020
Cartoon reference number: a826
Diversity cartoon – inclusion and employment policy
Diversity cartoon – inclusion in the workplace.
A cartoon about diversity and inclusion policy in employment and in recruitment.
The cartoon shows an interviewer in an organisation’s hr department interviewing a man. The interviewer is saying that her organisation promotes a policy of diversity and inclusion, however the policy doesn’t extend to the man being interviewed.
Diversity policies that are aimed at reducing discrimination tend to be targeted at race, gender and sexual orientation. This frequently puts white working class males at a disadvantage, partly because they do not belong to a recognised disadvantaged group under the UK government’s 2010 Equality Act and partly because they do not have enough points under the concept of intersectionality.
Drawn: 19th July 2020
Cartoon reference number: a821
Conspiracy theory cartoon
Conspiracy theory cartoon.
A conspiracy theory cartoon featuring a signpost that (may have been) turned round.
Drawn: 9th July 2020
Cartoon reference: a816
Cancel culture cartoon
A cartoon about cancel culture and historical thought crimes.
This cartoon is about the current (2020) phenomenon of cancel culture. This is the concept by which a person is ostracized or shunned if they are judged to hold unapproved views or have attitudes that run counter to those of the arbiters of what are acceptable views. It is a subsection of woke culture.
Cancel culture is responsible for such phenomena as no platforming, where people with proscribed views are denied the ability to put their views forward for debate, particularly in universities.
It is often applied to people based on attitudes that they held in the past. By this criterium practically everyone on the planet should be cancelled, which is one of the points of this cartoon. The saying “Let he who is without sin cast the first stone” comes to mind.
Cancel culture is often applied to historical figures from several centuries ago, particularly (at the moment) to those involved in some way in the transatlantic slave trade, and is manifested in the current campaigns to remove statues.
Cancel culture can be viewed as having a stifling effect on culture and debate, with its, to me, zealously censorious woke attitudes and its Orwellian implications.
Drawn: 7th July 2020
Cartoon reference: a815
Blackface cartoon, Drag Race cartoon
A cartoon about attitudes to blackface and to drag.
This cartoon is about changing attitudes to race and gender in popular culture.
The cartoon shows someone watching the tv programme The Black and White Minstrel Show in the UK in 1975, and someone else watching RuPaul’s Drag Race in 2020.
The cartoon draws attention to the jolly, pantomime portrayal of black men in the first show and of women in the second, and tries to make the point that while the cartoonish portrayal of black men by white men in blackface is now deemed unacceptable, the caricaturing by men dressed as over-sexualised female grotesques (similar to glamourised pantomime dames) is currently promoted in some parts of society as celebratory and ‘fun’.
The Black and White Minstrel Show was an extremely popular programme in the 1960s. I was a child at the time, and even I liked it, despite the fact that I was of an the age at which Top of the Pops was essential viewing. It was considered to be harmless family entertainment. The show was on the tv during a time of rapid social change, including a large increase in the black population of some parts of Britain, so by the mid 1970s the show was viewed in a different light and was finally discontinued because of its outdated attitudes.
RuPaul’s Drag Race is a contemporary (2020) manifestation of part of LGBTQ culture.
Drawn: 6th July 2020